<?xml version="1.0" encoding="utf-8" ?><rss version="2.0"><channel><title>Bing: Quintet Splitting Pattern</title><link>http://www.bing.com:80/search?q=Quintet+Splitting+Pattern</link><description>Search results</description><image><url>http://www.bing.com:80/s/a/rsslogo.gif</url><title>Quintet Splitting Pattern</title><link>http://www.bing.com:80/search?q=Quintet+Splitting+Pattern</link></image><copyright>Copyright © 2026 Microsoft. All rights reserved. These XML results may not be used, reproduced or transmitted in any manner or for any purpose other than rendering Bing results within an RSS aggregator for your personal, non-commercial use. Any other use of these results requires express written permission from Microsoft Corporation. By accessing this web page or using these results in any manner whatsoever, you agree to be bound by the foregoing restrictions.</copyright><item><title>What is the name for a group of five? - Music: Practice &amp; Theory Stack ...</title><link>https://music.stackexchange.com/questions/20441/what-is-the-name-for-a-group-of-five</link><description>As in Schubert’s Trout Quintet? It must be one of the best known, quite likely the best known piece for any quintet.</description><pubDate>Sat, 11 Apr 2026 10:57:00 GMT</pubDate></item><item><title>Wind quintet or sextet minus one - Music: Practice &amp; Theory Stack Exchange</title><link>https://music.stackexchange.com/questions/133732/wind-quintet-or-sextet-minus-one</link><description>The situation with the quintet missing a player (scenario 2) is a little easier because there are some pieces for oboe, clarinet, horn and bassoon and many more for standard woodwind quartet of flute, oboe, clarinet and bassoon.</description><pubDate>Fri, 10 Apr 2026 12:38:00 GMT</pubDate></item><item><title>Why are conductors required at orchestra performances?</title><link>https://music.stackexchange.com/questions/31381/why-are-conductors-required-at-orchestra-performances</link><description>In a smaller ensemble, such as a quartet, quintet, or even chamber orchestra, there might be no conductor or the conductor might be a musician among others. The second, most important, point is that the conductor actually, well, conducts the piece. They decide on how the piece is to be played, at which tempo, with which atmosphere, …</description><pubDate>Sun, 12 Apr 2026 03:46:00 GMT</pubDate></item><item><title>brass - Can a baritone be used for a trombone part? - Music: Practice ...</title><link>https://music.stackexchange.com/questions/58451/can-a-baritone-be-used-for-a-trombone-part</link><description>I am making a brass quintet, and I need two trumpets, a horn, a trombone, and a tuba. I have all except the trombone. Can a baritone substitute for the trombone part? Will it have a similar tone an...</description><pubDate>Fri, 10 Apr 2026 23:30:00 GMT</pubDate></item><item><title>Does changing the music's key change the feeling?</title><link>https://music.stackexchange.com/questions/66633/does-changing-the-musics-key-change-the-feeling</link><description>Instrumentation As just one example: if you're writing a piece for a brass quintet, something in B will sound a bit different (often described as "brighter") than something written in B♭. This is due to the mechanics of the instruments and the fact that playing in B requires more tubing throughout the instrument.</description><pubDate>Mon, 13 Apr 2026 18:33:00 GMT</pubDate></item><item><title>Parallels in sequences? - Music: Practice &amp; Theory Stack Exchange</title><link>https://music.stackexchange.com/questions/143417/parallels-in-sequences</link><description>I was recently playing through this piece by Giovanni Zamboni, and noticed each measure of this little sequence ends in an octave descension. If I wanted to write similar music in the Baroque style...</description><pubDate>Mon, 06 Apr 2026 15:06:00 GMT</pubDate></item><item><title>engraving - Rest Collision Error on in lilypond - Music: Practice ...</title><link>https://music.stackexchange.com/questions/99627/rest-collision-error-on-in-lilypond</link><description>In a project of mine, one of the staves, whenever I put anything in it that isn't a full bar rest throws up a "cannot resolve rest collision: rest direction not set ...</description><pubDate>Fri, 10 Apr 2026 21:57:00 GMT</pubDate></item><item><title>What woodwind &amp; brass instruments are most air efficient?</title><link>https://music.stackexchange.com/questions/129695/what-woodwind-brass-instruments-are-most-air-efficient</link><description>So I am trying to compose this woodwind quintet and other pieces relating to woodwind and brass instruments, and I need to figure out whether I can let some instruments breathe or keep playing. After</description><pubDate>Tue, 07 Apr 2026 12:13:00 GMT</pubDate></item><item><title>Vertical dashed line spanning certain staves in Lilypond</title><link>https://music.stackexchange.com/questions/140770/vertical-dashed-line-spanning-certain-staves-in-lilypond</link><description>Here are examples. First, from Nancarrow's Study 37 for player piano: Next, a passage from Ádes's Piano Quintet: Note that the lines encompass only some staves and don't extend up and down to cover the whole system. I would like to accomplish this in Lilypond, ideally with a command like \syncLine "endingStaff" a4 b c d</description><pubDate>Mon, 13 Apr 2026 09:00:00 GMT</pubDate></item><item><title>Warm up time before tuning wind instruments</title><link>https://music.stackexchange.com/questions/136085/warm-up-time-before-tuning-wind-instruments</link><description>Related to the above, the type of ensemble. (E.g., trumpets will play more in a brass quintet than in a baroque orchestra.) In an ensemble, the rate at which other instruments go out of tune in relation to the instrument being tuned. These lists are hardly exhaustive — they're just intended to suggest the complexity of the problem.</description><pubDate>Thu, 02 Apr 2026 05:24:00 GMT</pubDate></item></channel></rss>